DUNAWAY BOOKS
NEWSLETTER FOR SUMMER
2006
***
From a golden step,--among silk cords, green
velvets, gray gauzes, and crystal discs that turn black as bronze in the sun, I
see the digitalis opening on a carpet of silver filigree, of eyes and hair.
Yellow gold-pieces strewn over agate, mahogany
columns supporting emerald domes, bouquets of white satin and delicate sprays
of rubies, surround the water-rose.
Like a god with huge blue eyes and limbs of snow,
the sea and sky lure to the marble terraces the throng of roses, young and
strong.
--Rimbaud, Flowers
***
“Don’t you just love these long rainy afternoons in New Orleans when an hour isn’t just an hour—but a little piece of eternity dropped into your hands—and who knows what to do with it?”
--
***
Greetings! We wave our hellos to you all through the humid mirage of late high Midwestern summer. We also send out a big thank you to everyone who came out to our recent music events this May. The four nights of Ancora il Piu Estinto, and the special Jason Zeh and Art Union Humanscape concerts held separately in the basement, went swimmingly. Your support made it so! The strange sound-machines were even more fascinating than last year, weaving ballooning veils of sound that swelled to fill the store like the songs of extraterrestrial insects. Thomas Crone of 52nd City has taken some luminous photographs that are posted in his online photoblog; we will include a link at bottom so that all of you can see how completely a familiar space can be transformed by the power of art and collective will.
Summer spreads its glory out again before us, whether we
like it or not, a peacock fan shimmering with radiant heat in the colors of leaf,
shadow, popsicle and sky. The industry
of spring has given way to languor of a very special
***
We have acquired some new things in the store, as always, perhaps since last you were here. The craft and architecture/construction sections have absorbed a large lot of woodworking books, detailing everything from joinery techniques to fine furniture building. The Poetry section has received a long-awaited influx of volumes, mostly contemporary work in paperback. Those searching for modern literature will find our Fiction shelves enriched since the past few months, and the Fantasy/Science Fiction section is always expanding. We have also bought several lots of religious books: a few consisting of Christian theology, a large grouping of Eastern spirituality and thought, and one especially scholarly collection of books on Jewish life, religion, culture and history.
We have brought a selection of our favorite novels up to the center front area of the store, so that there is a wide array of material to choose from for those searching for a summer afternoon read. If there is an author you have an especial fondness for whose books are not on our shelves, let us know; we will try to keep an eye out for your favorites on our buying excursions.
A few very special items have arrived in the front of the
store where the rare, antiquarian, and unusual books are kept. One of these, J. Thomas Scharf’s History of Saint Louis City and County,
is a classic reference book dealing with
“The place was so active and energetic, so entirely honest
and naïve, that it had a great
attraction for fresh minds bent upon frank and free inquiry. All
Check out the shelves flanking the windows when you next
come in, to see the new rare
***
The playwright Tennessee Williams, a Southern boy raised in
He was the best friend of Carson McCullers and his fragile
sister Rose, and a literary devotee of Hart Crane, Rainer Maria Rilke, and D.H.
Lawrence. He spent enough time in our
city to be associated with it forever; indeed, is buried here, and as the
burial place was decided against his explicit wishes, so was our city for him a
part of the structure against which he beat his wings his entire life. The Glass Menagerie lives in a room that
lives in this place; perhaps without that room the wings would not have beat;
perhaps we are grateful for it. Though
at times he disowned
***
“Wild things leave skins behind them, they leave
clean skins and teeth and white bones behind them, and these are tokens passed
from one to another, so that the fugitive kind can always follow their kind…”
--
***
I don’t believe in “original sin.” I don’t believe in “guilt.” I don’t believe in villains or heroes—only
right and wrong ways that individuals have taken, not by choice but by
necessity or by certain still-uncomprehended influences in themselves, their
circumstances, and their antecedents.
This is so simple I’m ashamed of it, but I’m sure
it’s true. In fact, I would bet my life
on it! And that’s why I don’t understand
why our propaganda machines are always trying to teach us, to persuade us, to
hate and fear other people on the same little world that we live in.
--TW, Where
I Live
***
Cowslip and shad-blow, flaked like tethered
foam
Around bared teeth of stallions, bloomed that spring
When first I read thy lines, rife as the loam
Of prairies, yet like breakers cliffward leaping !
O, early following thee, I searched the hill
Blue-writ and odor-firm with violets, 'til
With June the mountain laurel broke through green
And filled the forest with what clustrous sheen !
Potomac lilies, --- then the
And Klondike edelweiss of occult snows !
White banks of moonlight came descending valleys ---
How speechful on oak-vizored palisades,
As vibrantly I follow down Sequoia alleys
Heard thunder's eloquence through green arcades
Set trumpets breathing in each clump and grass tuft --- 'til
Gold autumn, captured, crowned the trembling hill.
--Hart Crane, The
Bridge,
***
“The whole world,
God's world, has been the range of my travels. I haven't stuck to the schedules
of the brochures and I've always allowed the ones that were willing to see, to
see!—the underworlds of all places, and if they had hearts to be touched,
feelings to feel with, I gave them a priceless chance to feel and be touched.
And none will ever forget it, none of them, ever, never!”
--TW, The
Night of the Iguana
***
…Then what is good? The obsessive interest in human affairs, plus
a certain amount of compassion and moral conviction, that first made the
experience of living something that must be translated into pigment or music or
bodily movement or poetry or prose or anything that’s dynamic and
expressive—that’s what’s good for you if you’re at all serious in your
aims. William Saroyan wrote a great play
on this theme, that purity of heart is the one success worth having. “In the time of your life—live!” That time is short and it doesn’t return
again. It is slipping away while I write
this and while you read it, and the monosyllable of the clock is Loss, loss,
loss, unless you devote your heart to its opposition.
--TW, from the introduction to The Glass Menagerie
***
The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.
--Hart Crane, Chaplinesque
***
Some links for
your perusal:
Thomas Crone’s
photoblog, with images of Ancora il Piu Estinto, and many other hidden corners
of
http://www.flickr.com/photos/51252573@N00/page9/
The new 52nd
City is out, and for sale at our front counter:
A tidbit about
Tennesee Williams by way of
http://news-info.wustl.edu/tips/page/normal/5005.html
***
We hope that you
all enjoy summer’s last long stretch, and find something of yourself quiet to
keep in it, in between the heat waves and thunderstorms. As hot fades to warm fades to cool, things
will look different, as they always do, and afford a fresh perspective. Piles of pleasurably silly summer reading
will molt and be replaced by harder books to crack, and that’s a pleasure too.
***
DUNAWAY BOOKS
3111 S. Grand